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'With the birth of information theory and cybernetics in the late 1940s and early 1950s,' writes John Johnston, 'a decisive step was taken toward the immense techno-scientific transformation of the world into coded bits of 'information' and machinic assemblages.' Beginning with Thomas Pynchon's The Crying of Lot 49, the novels that have reflected this transformation have similarly assembled disparate bits of information and narrative into fictions saturated with data and transcribed 'clips' from media such as motion pictures, television, recordings, and computer files. Realism having thus fractilized into high-speed collage, thought itself is redefined from the High Modernist 'stream of consciousness' into what the machine psychologist Daniel Dennett refers to as 'multiple drafts' or 'circuits' operating concurrently in the human brain. In a series of close readings, Johnston traces how this viral influx of information into human consciousness has been replicated in works by Thomas Pynchon (Gravity's Rainbow and Vineland), Joseph McElroy (Lookout Cartridge), William Gaddis (J.R.), Don DeLillo (Libra), and William Gibson (Necromancer). From John Johnston's Introduction: 'Information multiplicities are profoundly corrosive of older cultural forms and identities, dissolving both subjects and objects alike into systems, processes and nodes in the circuits and flow of information exchange. But they also bring about new kinds of energy and even strange new forms of 'artificial life.'.. Contemporary culture—or more specifically what is called postmordern techno- or cyberculture—is a restructuring process that can similarly be described: as an artifactual space created when information re-structures modern or traditional culture in order to make it a better habitat for information.'Download
A gripping and page-turning thriller that explores themes of power, information, secrecy and war in the twentieth century. From the author of the three-volume historical epic 'The Baroque Cycle' and Seveneves. In his legendary, sprawling masterpiece, Neal Stephenson hacks into the secret histories of nations and the private obsessions of men, decrypting with dazzling virtuosity the forces that shaped this century. In 1942, Lawrence Pritchard Waterhouse - a mathematical genius and young Captain in the U.S. Navy - is assigned to Detachment 2702, an outfit so secret that only a handful of people know it exists. Some of those people have names like Churchill and Roosevelt. Their mission is to keep the Nazis ignorant of the fact that Allied Intelligence has cracked the enemy's fabled Enigma code. Waterhouse is flung into a cryptographic chess match against his German counterpart - one where every move determines the fate of thousands. In the present day, Waterhouse's crypto-hacker grandson, Randy, is attempting to create a 'data haven' in Southeast Asia where encrypted data can be stored and exchanged free of repression and scrutiny. Joining forces with the tough-as-nails Amy, Randy attempts tosecretly salvage a sunken Nazi submarine that holds the key to keeping the dream of a data haven afloat. But their scheme brings to light a massive conspiracy with its roots in Detachment 2702 - and an unbreakable Nazi code called Arethusa. There are two ways this could go: towards unimaginable riches and a future of personal and digital liberty - or towards a totalitarian nightmare.. Profound and prophetic, hypnotic and hyperactive, Cryptonomicon is a work of great art, thought and creative daring, the product of a ingenious imagination working with white-hot intensity.

Teaching The Conflicts

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I read Neal Town Stephenson's Cryptonomicon and The Baroque Cycle to interrogate what types of links they make to US countercultural writing, postmodern discourse in American culture, and perceived uninterrogated links to the term America itself in images of modern progressive liberalism. Postmodernist readings of literary texts came under increasing public scrutiny in intellectual debates of the 80s and 90s. My analysis is to situate and reconsider these fictions within debates happening in the North American academy at this time and the more recent one concerning the demise of poststructuralism in the humanities. Linking together works of Sean McCann, Michael Szalay, John Guillory and Mark McGurl I locate Cryptonomicon as constitutive of the postwar drift from the modernist aesthetic yet simultaneously developing within Sacvan Bercovitch's model of dissensus. Through reference to McGurl's work in particular, my thesis will offer the first sustained critical reading of Cryptonomicon relevant to the University's new teaching standards of diversity and research excellence. Through Lauren Berlant's concept of an intimate public I argue The Baroque Cycle develops a richly aesthetic form of criticism that challenges the consensus view of culturally affirming alternatives to American sociopolitical and economic life. In addition, each chapter charts specific aspects of the impact of European critical theories that presided over the marriage of intellectualism and professionalism in the North American academy. More specifically, and throwing particular focus on resistances to theory and canon change, I discuss how the politics of the classroom developed within the literary culture wars brought with it a renewed emphasis on what postwar professors taught in the classroom.Download
A remarkable epic adventure of soldiers and secrets, spies and code breakers, cryptography and high-tech finance. When the adult grandchildren of two men once involved in code-breaking espionage in World War II find a sunken Nazi submarine, they're led to a massive conspiracy, the effects of which can either enhance freedom--or subjugate the world. A 'New York Times' Notable Book.

Cryptonomicon

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A remarkable epic adventure of soldiers and secrets, spies and code breakers, cryptography and high-tech finance. When the adult grandchildren of two men once involved in code-breaking espionage in World War II find a sunken Nazi submarine, they're led to a massive conspiracy, the effects of which can either enhance freedom--or subjugate the world. A 'New York Times' Notable Book.Download

Literature After Globalization

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Explores the interplay between themes of globalization, technology and the nation state in contemporary literature and cultural theory.Download
We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices. My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: language and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age. We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet.

Mathematics In Popular Culture

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Mathematics has maintained a surprising presence in popular media for over a century. In recent years, the movies Good Will Hunting, A Beautiful Mind, and Stand and Deliver, the stage plays Breaking the Code and Proof, the novella Flatland and the hugely successful television crime series NUMB3RS all weave mathematics prominently into their storylines. Less obvious but pivotal references to the subject appear in the blockbuster TV show Lost, the cult movie The Princess Bride, and even Tolstoy’s War and Peace. In this collection of new essays, contributors consider the role of math in everything from films, baseball, crossword puzzles, fantasy role-playing games, and television shows to science fiction tales, award-winning plays and classic works of literature. Revealing the broad range of intersections between mathematics and mainstream culture, this collection demonstrates that even “mass entertainment” can have a hidden depth.Download

Anathem

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The latest magnificent creation from the award-winning author of Cryptonomicon and the Baroque Cycle trilogy. Erasmas, 'Raz', is a young avout living in the Concent, a sanctuary for mathematicians, scientists, and philosophers. Three times during history's darkest epochs, violence has invaded and devastated the cloistered community. Yet the avout have always managed to adapt in the wake of catastrophe. But they now prepare to open the Concent's gates to the outside world, in celebration of a once-a-decade rite. Suddenly, Erasmas finds himself a major player in a drama that will determine the future of his world - as he sets out on an extraordinary odyssey that will carry him to the most dangerous, inhospitable corners of the planet..and beyond.